Excavating The Medieval Image: Manuscripts, Artists,...

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Excavating The Medieval Image: Manuscripts, Artists, Audiences: Essays In Honor Of Sandra Hindman

David S. Areford (editor), Nina Rowe (editor), Sandra Hindman (editor)

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Որքա՞ն է ձեզ դուր եկել այս գիրքը:

Ինչպիսի՞ն է բեռնված ֆայլի որակը:

Բեռնեք գիրքը` գնահատելու դրա որակը

Ինչպիսի՞ն է բեռնված ֆայլերի որակը:

Տարի:

2004

Հրատարակչություն:

Ashgate Pub Ltd

Լեզու:

english

Էջեր:

343

ISBN 10:

0754631435

ISBN 13:

9780754631439

Ֆայլ:

PDF, 11.84 MB

IPFS:

,

english, 2004

Կարդալ Առցանց

Ներբեռնել (pdf, 11.84 MB)

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Ձեզ կարող է հետաքրքրել

Elizabeth Moore Hunt — Illuminating the Borders of Northern French and Flemish Manuscripts, 1270-1310

Ioannis Spatharakis — The Portrait in Byzantine Illuminated Manuscripts

Bradley, John W — Illuminated Manuscripts

Unknown — Medieval texts and images : studies of manuscripts from the Middle Ages

Rudy, Kathryn M. — Piety in Pieces: How Medieval Readers Customized Their Manuscripts

Author Unknown — A Companion to Byzantine Illustrated Manuscripts

J. H. Middleton — Illuminated Manuscripts in Classical and Mediaeval Times

John William Bradley — Illuminated Manuscripts

Hindman, Sandra — Les Enluminures 1991-2011. Catalogue 20-20 now

Thomas Kren & Scot McKendrick — Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe

Leo, Domenic; — Images, Texts, and Marginalia in a Vows of the Peacock Manuscript (New York, Pierpont Morgan Library MS G24)

Anne Dunlop (Editor) — Antipodean Early Modern

Hamburger J.F. — A Liber Precum in Sélestat and the Development of the Illustrated Prayer Book in Germany

Sonja Drimmer — The Visual Language of Vernacular Manuscript Illumination: John Gower’s Confessio Amantis (Pierpont Morgan MS M.126)

Jennifer Elizabeth Lyle Owen — Imaging dreams in the Middle Ages: the Roman de la Rose and artistic vision, c.1275-1540

Jennifer Elizabeth Lyle Owen — Imaging dreams in the Middle Ages: the Roman de la Rose and artistic vision, c.1275-1540

Joni M. Hand — Female Book Owners in the Valois Courts, 1350–1550: Devotional Manuscripts as Vehicles for Self-Definition

Hilary Elizabeth Maddocks — The Illuminated Manuscripts of the 'Légende Dorée': Jean de Vignay's Translation of Jacobus de Voragine's 'Legenda Aurea'

Dianne Tisdale Phillips — The Illustration of the Meditations on the Life of Christ: A Study of an Illuminated Fourteenth-Century Italian Manuscript at the University of Notre Dame (Snite Museum of Art, Acc. No. 85.25)

Jeffrey C. Anderson — The New York Cruciform Lectionary

Lindquist, Sherry C. M. — The Book of Hours and the Body: Somaesthetics, Posthumanism, and the Uncanny

Elizabeth Morrison — Illuminations of the "Roman de Troie" and French royal dynastic ambition (1260-1340) [thesis]

Robert G. Calkins — Illuminated Books of the Middle Ages

L. M. J. Delaisse — A Century of Dutch Manuscript Illumination

De Hamel, Christopher — History of Illuminated Manuscripts

Sonja Drimmer — The Art of Allusion: Illuminators and the Making of English Literature, 1403-1476

Sonja Drimmer — The Art of Allusion: Illuminators and the Making of English Literature, 1403-1476

Kren, Thomas — Margaret of York, Simon Marmion, and the Visions of Tondal : papers delivered at a symposium organized by the Department of Manuscripts of the J. Paul Getty Museum in collaboration with the Huntington Library and Art Collections, June 21-24, 1990

Kren, Thomas — Masterpieces of the J. Paul Getty Museum. Illuminated manuscripts.

Kren T. — Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts

Teviotdale, Elizabeth Cover — The Stammheim missal

Thomas Kren, Scot McKendrick — Illuminating the Renaissance The Triumph of Flemish Manuscript Painting in Europe

Spitz Master; Clark, Gregory T. — The Spitz master : a Parisian book of hours

Thomas Kren, Mark Evans, Janet Backhouse, Nancy Turner — A Masterpiece Reconstructed The Hours of Louis XII

Morrison, Elizabeth; Scott, Margaret — Flemish manuscript painting in context : recent research; based on symposia held at the J. Paul Getty Museum, Los Angeles (September 5 - 6, 2003), and at the Courtauld Institute of Art, London (February 21, 2004, under the sponsorship of the Courtauld Ins

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